Skip to main content
Soundcheck helps production companies coordinate crews, equipment, venue details, and show schedules—from load-in through load-out. An operations manager can prepare a venue, staff the show, assign gear, share the schedule, and track closeout from the same gig.

Before you begin

  • Set up your organization, members, and positions, such as stage manager, audio engineer, lighting technician, and stagehand.
  • Use an owner, admin, or gig coordinator account for operational setup. Financial actions depend on your role permissions.
  • Manual team building works on Free; saved call lists require Pro+. Crew availability, crew offers, and CRM directories, including venues and inventory, require Team or Enterprise and the relevant features enabled for your organization.
CheckAI, Chat, and E-sign are Private Preview, available only to the existing beta tester group. Signing up, buying a plan, upgrading, contacting support, or viewing a public demo does not provide preview access. The workflow below does not require those previews.

Run a production from preparation to payout

1

Prepare the venue before promising a crew call

Save or update the venue record: production contact, stage dimensions, house equipment, restrictions, and access details. Confirm the information with the venue before relying on it for staffing or transport.Record the usual load-in route, load-out instructions, dock, freight elevator, parking, and access instructions once. These become defaults for linked gigs. Use the venue-logistics workflow for a practical preparation checklist.
2

Create the gig and capture this show's exceptions

Create the gig with its date and times, then link the saved venue from the gig’s Venue tab. Review Load-in & access and set an override where this show differs, such as an earlier dock appointment or a temporary parking location.Overrides apply to one field on this gig. They do not change the venue’s default. Add This show only notes for context the crew needs, such as a delivery window shared with another event. Stage size and house equipment remain venue facts; a temporary equipment substitution belongs in the show’s notes and equipment plan.
3

Staff each position and confirm responses

Open Manage Team, add positions, and select crew manually or from a saved call list where available. Review availability and conflict warnings before sending invitations. An availability response helps you choose a person; an accepted invitation or offer confirms their commitment.For open work, use crew offers when enabled. Track pending, accepted, and declined responses in Mailbox. Keep a replacement plan for unfilled positions and review the roster after substitutions. Where available, the crew calendar gives a broader view across shows; a warning still needs a scheduling decision.
4

Assign the gear the show needs

Compare the venue’s house equipment with the production requirements. On the gig’s Inventory tab, assign your own inventory by item and quantity, with a due date where useful. Available quantities and open assignments help you see what is already out.Record rented equipment and delivery arrangements in the show notes or attached production documents. An inventory assignment records where your equipment is allocated; confirm the transport and delivery arrangements with the people responsible.
5

Share the plan from load-in through load-out

On Details, add the load-in, crew call, soundcheck, doors, show, and strike times to the timeline or Run of Show. Run of Show is available when enabled; the simpler timeline covers the day’s key times.Attach the stage plot, technical rider, and venue map in Attachments. Crew with access to the gig can consult the load-in/access details and show notes. Full venue contacts and specifications follow role permissions, so put the relevant working instructions in the gig’s crew-visible plan.
6

Return equipment, finish closeout, and settle payouts

After load-out, mark returned inventory with Return so its quantity is available again. Capture lasting venue corrections on the venue record and keep one-off incidents on the gig.After the gig’s effective end—the later of its event date and end date—an Owner, Admin, or Gig Coordinator must explicitly mark it Completed. Passing the date alone does not complete the gig. Follow How a gig completes, review Closeout, and have the authorized finance manager handle crew payouts from Finances. Choose Settled from the status control once completion is saved, payouts have cleared, and any enforced closeout requirements are satisfied.

Example: two productions at the same venue

A fictional production company, Lantern Stageworks, has a conference on Friday and a concert on Saturday at Harbor Hall. Both gigs use the same venue record, including the stage dimensions and house PA. Friday’s dock is available only after 10 AM, so the coordinator overrides Dock for Friday’s gig and adds a delivery note. Saturday keeps the usual dock instructions. Each gig gets its own crew invitations, equipment assignments, and show schedule. After Friday, the coordinator records equipment returns before checking what is available for Saturday. The venue record answers “What is normally true here?” Each gig answers “What is different for this show?”

Continue the workflow

Venue logistics

Prepare the building, access, and show-specific instructions.

Staff a gig

Move from required positions to confirmed crew.

Inventory

Assign equipment and record returns.

Closeout and payouts

Finish the paperwork and settle the show.